Counterpoises like this are often attached to necklaces made of beads, called a menat, which were used like a rattle to make noise during rituals for the goddess Hathor. This one however was intended to have an aegis attached, it no longer exists but maybe depicted Hathor.

An aegis is a collar with a deity’s face above it, and it would’ve been attached so that when the counterpoise was held in the hand to shake the goddess’s face was upright. I assume (but am not sure) that there would also still have been beads to make it a rattle.

The goddess picked out in gold inlay in the top part of the object is called Nebethetepet – she’s associated with Hathor and personifies the original creative act of Atum. The columns on either side of her do have Hathor heads, and there’s a Hathor head above the shrine too.

At the bottom of the object is Horus as a falcon, sitting in the papyrus marshes – a reference to how he was hidden away when young so that Seth couldn’t find him and murder him like he’d murdered Osiris. Hathor was one of Horus’s protectors during this time.

I like the way bronze with gold inlay objects such as this look, with the shiny gold against the warm dark bronze. But it’s important to remember that’s probably not how it looked! The bronze would’ve been shinier in the past and there may even have been colour added.

Menat Counterpoise (for Attachment to an Aegis). Provenance unknown. Third Intermediate Period – Late Period, c. 800-525 BCE. Acc. No.: 08.202.15

The counterpoise dates to the Third Intermediate Period or Late Period, and it’s not known where it was found. It’s now in the Met Museum, acc. no.: 08.202.15.

See it on my photo site:

Some of the legends I’ve retold on the blog are referenced in this object:
The Heliopolitan creation myth:
The death of Osiris:
Two episodes from the dispute between Horus & Seth: and

Jigsaw Puzzles:

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